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Quartz 2D is a two-dimensional drawing engine accessible in the iOS environment and from all Mac OS X application environments outside of the kernel. You can use the Quartz 2D application programming interface (API) to gain access to features such as path-based drawing, painting with transparency, shading, drawing shadows, transparency layers, color management, anti-aliased rendering, PDF document generation, and PDF metadata access. Whenever possible, Quartz 2D leverages the power of the graphics hardware.
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I can certainly confirm that the problem exists on Mac OS X 10.5 (any version) and Mac OS X 10.6 (any version). The problem is not limited to a particular mouse model or manufacturer/producer. It appeared with the following mice: Logitech G5 (first edition), Logitech G5 (second edition), Logitech MX620, Razer DeathAdder 3G, Microsoft Sidewinder. When iTunes Match creates a 256 Kbps AAC version of a song, it only uploads that version to your iCloud Music Library. It doesn't delete the original song, so those files stay in their original format on your hard drive. If you download one of these songs from iTunes Match onto another device, it will be the 256 Kbps AAC version.
In Mac OS X, Quartz 2D can work with all other graphics and imaging technologies—Core Image, Core Video, OpenGL, and QuickTime. It’s possible to create an image in Quartz from a QuickTime graphics importer, using the QuickTime function GraphicsImportCreateCGImage
. See QuickTime Framework Reference for details. Moving Data Between Quartz 2D and Core Image in Mac OS X describes how you can provide images to Core Image, which is a framework that supports image processing.
Similarly, in iOS, Quartz 2D works with all available graphics and animation technologies, such as Core Animation, OpenGL ES, and the UIKit classes.
The Page
Quartz 2D uses the painter’s model for its imaging. In the painter’s model, each successive drawing operation applies a layer of “paint” to an output “canvas,” often called a page. The paint on the page can be modified by overlaying more paint through additional drawing operations. An object drawn on the page cannot be modified except by overlaying more paint. This model allows you to construct extremely sophisticated images from a small number of powerful primitives.
Figure 1-1 shows how the painter’s model works. To get the image in the top part of the figure, the shape on the left was drawn first followed by the solid shape. The solid shape overlays the first shape, obscuring all but the perimeter of the first shape. The shapes are drawn in the opposite order in the bottom of the figure, with the solid shape drawn first. As you can see, in the painter’s model the drawing order is important.
The page may be a real sheet of paper (if the output device is a printer); it may be a virtual sheet of paper (if the output device is a PDF file); it may even be a bitmap image. The exact nature of the page depends on the particular graphics context you use.
Drawing Destinations: The Graphics Context
A graphics context is an opaque data type (CGContextRef
) that encapsulates the information Quartz uses to draw images to an output device, such as a PDF file, a bitmap, or a window on a display. The information inside a graphics context includes graphics drawing parameters and a device-specific representation of the paint on the page. All objects in Quartz are drawn to, or contained by, a graphics context.
You can think of a graphics context as a drawing destination, as shown in Figure 1-2. When you draw with Quartz, all device-specific characteristics are contained within the specific type of graphics context you use. In other words, you can draw the same image to a different device simply by providing a different graphics context to the same sequence of Quartz drawing routines. You do not need to perform any device-specific calculations; Quartz does it for you.
These graphics contexts are available to your application:
A bitmap graphics context allows you to paint RGB colors, CMYK colors, or grayscale into a bitmap. A bitmap is a rectangular array (or raster) of pixels, each pixel representing a point in an image. Bitmap images are also called sampled images. See Creating a Bitmap Graphics Context.
A PDF graphics context allows you to create a PDF file. In a PDF file, your drawing is preserved as a sequence of commands. There are some significant differences between PDF files and bitmaps:
PDF files, unlike bitmaps, may contain more than one page.
When you draw a page from a PDF file on a different device, the resulting image is optimized for the display characteristics of that device.
PDF files are resolution independent by nature—the size at which they are drawn can be increased or decreased infinitely without sacrificing image detail. The user-perceived quality of a bitmap image is tied to the resolution at which the bitmap is intended to be viewed.
See Creating a PDF Graphics Context.
A window graphics context is a graphics context that you can use to draw into a window. Note that because Quartz 2D is a graphics engine and not a window management system, you use one of the application frameworks to obtain a graphics context for a window. See Creating a Window Graphics Context in Mac OS X for details.
A layer context (
CGLayerRef
) is an offscreen drawing destination associated with another graphics context. It is designed for optimal performance when drawing the layer to the graphics context that created it. A layer context can be a much better choice for offscreen drawing than a bitmap graphics context. See Core Graphics Layer Drawing.When you want to print in Mac OS X, you send your content to a PostScript graphics context that is managed by the printing framework. See Obtaining a Graphics Context for Printing for more information.
Quartz 2D Opaque Data Types
The Quartz 2D API defines a variety of opaque data types in addition to graphics contexts. Because the API is part of the Core Graphics framework, the data types and the routines that operate on them use the CG prefix.
Quartz 2D creates objects from opaque data types that your application operates on to achieve a particular drawing output. Figure 1-3 shows the sorts of results you can achieve when you apply drawing operations to three of the objects provided by Quartz 2D. For example:
You can rotate and display a PDF page by creating a PDF page object, applying a rotation operation to the graphics context, and asking Quartz 2D to draw the page to a graphics context.
You can draw a pattern by creating a pattern object, defining the shape that makes up the pattern, and setting up Quartz 2D to use the pattern as paint when it draws to a graphics context.
You can fill an area with an axial or radial shading by creating a shading object, providing a function that determines the color at each point in the shading, and then asking Quartz 2D to use the shading as a fill color.
The opaque data types available in Quartz 2D include the following:
CGPathRef
, used for vector graphics to create paths that you fill or stroke. See Paths.CGImageRef
, used to represent bitmap images and bitmap image masks based on sample data that you supply. See Bitmap Images and Image Masks.CGLayerRef
, used to represent a drawing layer that can be used for repeated drawing (such as for backgrounds or patterns) and for offscreen drawing. See Core Graphics Layer DrawingCGPatternRef
, used for repeated drawing. See Patterns.CGShadingRef
andCGGradientRef
, used to paint gradients. See Gradients.CGFunctionRef
, used to define callback functions that take an arbitrary number of floating-point arguments. You use this data type when you create gradients for a shading. See Gradients.CGColorRef
andCGColorSpaceRef
, used to inform Quartz how to interpret color. See Color and Color Spaces.CGImageSourceRef
andCGImageDestinationRef
, which you use to move data into and out of Quartz. See Data Management in Quartz 2D and Image I/O Programming Guide.CGFontRef
, used to draw text. See Text.CGPDFDictionaryRef
,CGPDFObjectRef
,CGPDFPageRef
,CGPDFStream
,CGPDFStringRef
, andCGPDFArrayRef
, which provide access to PDF metadata. See PDF Document Creation, Viewing, and Transforming.CGPDFScannerRef
andCGPDFContentStreamRef
, which parse PDF metadata. See PDF Document Parsing.CGPSConverterRef
, used to convert PostScript to PDF. It is not available in iOS. See PostScript Conversion.
Graphics States
Quartz modifies the results of drawing operations according to the parameters in the current graphics state. The graphics state contains parameters that would otherwise be taken as arguments to drawing routines. Routines that draw to a graphics context consult the graphics state to determine how to render their results. For example, when you call a function to set the fill color, you are modifying a value stored in the current graphics state. Other commonly used elements of the current graphics state include the line width, the current position, and the text font size.
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The graphics context contains a stack of graphics states. When Quartz creates a graphics context, the stack is empty. When you save the graphics state, Quartz pushes a copy of the current graphics state onto the stack. When you restore the graphics state, Quartz pops the graphics state off the top of the stack. The popped state becomes the current graphics state.
To save the current graphics state, use the function CGContextSaveGState
to push a copy of the current graphics state onto the stack. To restore a previously saved graphics state, use the function CGContextRestoreGState
to replace the current graphics state with the graphics state that’s on top of the stack.
Note that not all aspects of the current drawing environment are elements of the graphics state. For example, the current path is not considered part of the graphics state and is therefore not saved when you call the function CGContextSaveGState
. The graphics state parameters that are saved when you call this function are listed in Table 1-1.
Parameters | Discussed in this chapter |
---|---|
Current transformation matrix (CTM) | |
Clipping area | |
Line: width, join, cap, dash, miter limit | |
Accuracy of curve estimation (flatness) | |
Anti-aliasing setting | |
Color: fill and stroke settings | |
Alpha value (transparency) | |
Rendering intent | |
Color space: fill and stroke settings | |
Text: font, font size, character spacing, text drawing mode | |
Blend mode | Paths and Bitmap Images and Image Masks |
Quartz 2D Coordinate Systems
A coordinate system, shown in Figure 1-4, defines the range of locations used to express the location and sizes of objects to be drawn on the page. You specify the location and size of graphics in the user-space coordinate system, or, more simply, the user space. Coordinates are defined as floating-point values.
Because different devices have different underlying imaging capabilities, the locations and sizes of graphics must be defined in a device-independent manner. For example, a screen display device might be capable of displaying no more than 96 pixels per inch, while a printer might be capable of displaying 300 pixels per inch. If you define the coordinate system at the device level (in this example, either 96 pixels or 300 pixels), objects drawn in that space cannot be reproduced on other devices without visible distortion. They will appear too large or too small.
Quartz accomplishes device independence with a separate coordinate system—user space—mapping it to the coordinate system of the output device—device space—using the current transformation matrix, or CTM. A matrix is a mathematical construct used to efficiently describe a set of related equations. The current transformation matrix is a particular type of matrix called an affine transform, which maps points from one coordinate space to another by applying translation, rotation, and scaling operations (calculations that move, rotate, and resize a coordinate system).
The current transformation matrix has a secondary purpose: It allows you to transform how objects are drawn. For example, to draw a box rotated by 45 degrees, you rotate the coordinate system of the page (the CTM) before you draw the box. Quartz draws to the output device using the rotated coordinate system.
A point in user space is represented by a coordinate pair (x,y), where x represents the location along the horizontal axis (left and right) and y represents the vertical axis (up and down). The origin of the user coordinate space is the point (0,0). The origin is located at the lower-left corner of the page, as shown in Figure 1-4. In the default coordinate system for Quartz, the x-axis increases as it moves from the left toward the right of the page. The y-axis increases in value as it moves from the bottom toward the top of the page.
Some technologies set up their graphics contexts using a different default coordinate system than the one used by Quartz. Relative to Quartz, such a coordinate system is a modified coordinate system and must be compensated for when performing some Quartz drawing operations. The most common modified coordinate system places the origin in the upper-left corner of the context and changes the y-axis to point towards the bottom of the page. A few places where you might see this specific coordinate system used are the following:
In Mac OS X, a subclass of
NSView
that overrides itsisFlipped
method to returnYES
.In iOS, a drawing context returned by an
UIView
.In iOS, a drawing context created by calling the
UIGraphicsBeginImageContextWithOptions
function.
The reason UIKit returns Quartz drawing contexts with modified coordinate systems is that UIKit uses a different default coordinate convention; it applies the transform to Quartz contexts it creates so that they match its conventions. If your application wants to use the same drawing routines to draw to both a UIView
object and a PDF graphics context (which is created by Quartz and uses the default coordinate system), you need to apply a transform so that the PDF graphics context receives the same modified coordinate system. To do this, apply a transform that translates the origin to the upper-left corner of the PDF context and scales the y-coordinate by -1
.
Using a scaling transform to negate the y-coordinate alters some conventions in Quartz drawing. For example, if you call CGContextDrawImage
to draw an image into the context, the image is modified by the transform when it is drawn into the destination. Similarly, path drawing routines accept parameters that specify whether an arc is drawn in a clockwise or counterclockwise direction in the default coordinate system. If a coordinate system is modified, the result is also modified, as if the image were reflected in a mirror. In Figure 1-5, passing the same parameters into Quartz results in a clockwise arc in the default coordinate system and a counterclockwise arc after the y-coordinate is negated by the transform.
It is up to your application to adjust any Quartz calls it makes to a context that has a transform applied to it. For example, if you want an image or PDF to draw correctly into a graphics context, your application may need to temporarily adjust the CTM of the graphics context. In iOS, if you use a UIImage
object to wrap a CGImage
object you create, you do not need to modify the CTM. The UIImage
object automatically compensates for the modified coordinate system applied by UIKit.
Important: The above discussion is essential to understand if you plan to write applications that directly target Quartz on iOS, but it is not sufficient. On iOS 3.2 and later, when UIKit creates a drawing context for your application, it also makes additional changes to the context to match the default UIKIt conventions. In particular, patterns and shadows, which are not affected by the CTM, are adjusted separately so that their conventions match UIKit’s coordinate system. In this case, there is no equivalent mechanism to the CTM that your application can use to change a context created by Quartz to match the behavior for a context provided by UIKit; your application must recognize the what kind of context it is drawing into and adjust its behavior to match the expectations of the context.
Memory Management: Object Ownership
Quartz uses the Core Foundation memory management model, in which objects are reference counted. When created, Core Foundation objects start out with a reference count of 1. You can increment the reference count by calling a function to retain the object, and decrement the reference count by calling a function to release the object. When the reference count is decremented to 0, the object is freed. This model allows objects to safely share references to other objects.
There are a few simple rules to keep in mind:
If you create or copy an object, you own it, and therefore you must release it. That is, in general, if you obtain an object from a function with the words “Create” or “Copy” in its name, you must release the object when you’re done with it. Otherwise, a memory leak results.
If you obtain an object from a function that does not contain the words “Create” or “Copy” in its name, you do not own a reference to the object, and you must not release it. The object will be released by its owner at some point in the future.
If you do not own an object and you need to keep it around, you must retain it and release it when you’re done with it. You use the Quartz 2D functions specific to an object to retain and release that object. For example, if you receive a reference to a CGColorspace object, you use the functions
CGColorSpaceRetain
andCGColorSpaceRelease
to retain and release the object as needed. You can also use the Core Foundation functionsCFRetain
andCFRelease
, but you must be careful not to passNULL
to these functions.
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␡- All those icons in the Dock
This chapter is from the book
This chapter is from the book
In this chapter
- All those icons in the Dock
- Display item names
- The tiny black triangle
- Resize the Dock
- Remove an item from the Dock
- Rearrange items in the Dock
- Put an item in the Dock
- Magnify the icons in the Dock
- Reposition the Dock
- When a Dock item jumps up and down
- Also Try This
- Remember
The Dock is that strip of icons across the bottom of your screen, and you'll find it to be one of your most important tools. In this chapter you'll experiment with using the Dock, adding icons to it and takings icons out, resizing it, and more.
All those icons in the Dock
Below is a description of each icon that is probably in your Dock when you first turn on a new Macintosh. Don't worry if you have slightly different icons! An asterisk (*) under a number, shown below, means that icon will try to automatically connect to the Internet when you click on it.
Finder: Single-click the Finder icon when you need to open a window. If you did the exercises in Chapter 2, you are familiar with this icon and what it shows you (if you skipped those exercises, you might want to pop back to the previous chapter and run through them).
Dashboard: Widgets provide quick information at your fingertips. See pages 183–186.
Mail: This is an email application that you'll use to send and receive email (unless you use America Online, in which case you don't need Mail). If by chance you have more than one email acount (for instance, one for work and one for personal mail), Mail can check them all at the same time, and it can also send email messages from any of your accounts. See Chapter 11.
Safari: This represents the software called a browser. It displays web pages, so this is what you'll use to surf the web (see Chapter 10). If someone tells you to “open your browser” or “open Safari,” this is what you'll click on.
iChat: With iChat you can “talk” (type) to everyone else in the world who also has the type of account that lets them chat. This chatting is done “live,” which means you are both at your computer at the same time and responding to each other, as opposed to an email message that waits in your box for you to open it. You can even have group chats. If you have a video camera attached, you can have free video conferences around the world!
Address Book: This is a little application in which you can collect and organize contact information such as names, addresses, phone and fax numbers, email, web addresses, birthdays, anniversaries, notes, and more. When you use the Mail program, you can get addresses from the Address Book and transfer them directly to an email message without having to type the address. See Chapter 11.
iTunes: With iTunes you can transfer songs from music CDs to your Mac so you can play them without having to have the CD inserted into the computer. You can burn CDs of your own collections; listen to radio stations over the Internet; and buy individual songs, entire CDs, and audio books right through the iTunes Music Store.
iPhoto: Organize your photos, clipart, drawings, illustrations, and other images in iPhoto. Separate them into “albums,” create slideshows with music, have Kodak prints of selected photos sent through the regular mail to you, and much more. Rotate photos, crop them, take out the red-eye, lighten or darken them, and more.
iMovie: If you have a digital video camera, you can make your own digital movies. It's much easier than you might think. My mother (who is in her 70s) is in the process of filming a comedy with her lady friends in the Napa wine country, called WSI: Wine Scene Investigation, about a wine crime in Yountville, California.
iDVD: Assemble photos and movies you have already edited into a format that can be burned to a DVD. Beautiful, professionally designed templates let you create DVD menus that provide instant access to a movie, any chapter or scene within a movie, or a slideshow.
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GarageBand: Create and compose music. You can record your own musical instruments or use the included music loops to compose an original song. Powerful editing and mixing tools can add professional effects or even change instruments to voices.
iCal: Create and manage multiple, color-coded calendars of appointments, to-do lists, and important events. Set alarms for events. Automatically send and retrieve invitations for events, and, if you have a .Mac account, you can publish your iCal calendar on the Internet.
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QuickTime: You won't really do anything with QuickTime, but movies will automatically open themselves in QuickTime and play.
System Preferences: The Mac lets you customize many of its features. For instance, you can change the picture on your Desktop, adjust your mouse, change the time zone, and more. See page 170.
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Dividing line: Everything you see to the left of this dividing line is an icon representing an application, or program, that you use to do things with. On the right side, you can put your own folders, documents, web site addresses, and other things. And of course the Trash is on the right side.
Web site link: This particular link that is already in your Dock goes to Apple's web site. You can add your own favorite links.
Trash: Any file you don't want anymore you can just drag to the Trash. See Chapter 8.
To learn to useiChat, iTunes, iPhoto, iMovie, iDVD, GarageBand,andiCal,please see the book from Peachpit called Robin Williams Cool Mac Apps, second edition, by John Tollett with a little help from me. It has step-by-step directions for using these great applications.